Collections
Roundtable Conversation: WHERE ARE ALL THE BLACK PEOPLE AT, on Vernacular Photography
Last summer, photography curator Makeda Best met with people associated with the Boston-based grassroots arts initiative WHERE ARE ALL THE BLACK PEOPLE AT to discuss a painting of an unidentified Black soldier, visibility in the museums, and the impact of an installation of photographs depicting eve...
By Makeda Best
Reframing Albert Moore’s Study for “Blossoms”: Historical Design, Contemporary Production
Read how a curatorial fellow and frame conservator teamed up to create a historically accurate reproduction of an unusual 19th-century frame.
By Allison Jackson, Sophie Lynford
Introducing the Art + Science Pathway
Stories about what’s hidden within a selection of works—discovered through technical analysis—are now highlighted in the galleries.
By Sophie Lynford, Kate Smith
Harvard Art Museums from Home
Everything you need for a virtual visit to the museums—online events, audio and video offerings, activity books to download, and more.
Multi-layered: Louis Delsarte’s Color Separations
A conservation scientist and paper conservator explain how Louis Delsarte made his photolithograph Unity using color separations.
By Christina Taylor, Georgina Rayner
Building Community through Art
Francesca Bewer, from the Harvard Art Museums, and Erin Muirhead McCarty, from Community Art Center, discuss their collaboration on a youth program last summer in Cambridge.
By Andres Mendoza
Brandywine: Inspiring Collaboration and Community
Members of the team that developed the exhibition Prints from the Brandywine Workshop and Archives talk about the creative ways they worked together, inspired by the collaborative approach of the Brandywine Workshop.
By Hannah Chew
Afrofuturist Visions: Robert Pruitt’s Enlist! Prints
Take a closer look at two lithographs by Pruitt that engage Afrofuturist themes and subvert the visual language of 1940s recruitment posters.
By Sophie Lynford
Voices from the Collections: Photographer Wardell Milan in Conversation with Curator Makeda Best
Photographer Wardell Milan discusses his collage Bill T. Jones (2018) and his artistic process with curator Makeda Best.